the movie is not ruined if i reencode the 1150 kbps movie. i read that the loss in quality caused by turbo first pass is not noticeable. you can use constant quality if you are focusing on the quality and not file size. i will be ruining the movie if i reencode the 1150 kbps movie and the original high resolution movie needs to be reencoded.constant quality is better than two pass encoding.people told me that what i am doing is wrong because:. I did some inquiries to see if what i am doing is ok. i encoded a bunch of movies at 900 kbps using these settings and the movies looked ok my settings in handbrake are 720p, x264 mp4, slow preset, turbo first pass encoding, two pass encoding, constant frame rate, same frame rate as source and audio 128 kbps aac. mp4 movies which have video bitrate which is either 800 kbps or 850 kbps or 900 kbps. i wasted a lot of time reencoding the movies and trying different crf values it didn't work out that well and sometimes the file size didn't shrink and sometimes it shrunk by a lot and the movie quality was ruined in some parts of the movie and pixels showed. In the beginning i tried using constant quality. mp4 movies that i download from that website are ripped at video bitrate 1150 kbps and the file sizes are bigger so i want to reencode the movie that i download by using handbrake to shrink the file size mp4 movies that i downloaded from a website were ripped at around video bitrate 850 kbps and the file sizes were between 700mb and 900mb. Use HandBrake to transcode your film into a drastically compressed sizes while retaining quality. Go to /downloads and download HandBrake now.In the past most of the 720p. I would have shared it with you had HandBrake let me export presents. Small files, good quality, less load on the system. Once you have created presents, it becomes as simple as importing the video, clicking the present, and exporting it. I used these settings to create presents for various video sizes-1080p, 480p. The following is a video that you can help you reduce your video’s file size by almost one tenth, while retaining the quality at the same time. Amazon Prime and other OTT platforms would require the high quality ProRes versions anyway.Īnother limitation is that it is not the most easy to use software for a first timer. So far I have never come across a situation where a compressed format beyond these two were asked for. HandBrake currently supports exporting only into MP4 and MKV formats. I use it regularly to transcode the huge ProRes or CineForm files into manageable MP4 files. Then use a dedicated software like HandBrake to transcode it into a compressed codec and send to whoever you want to. Only use your editing software to export a high quality version of the reel. You might accidentally shift a cut by two seconds and not even realise it. Also repeatedly opening the master project file is taking on unnecessary risks. If something goes wrong, then you would have to do the whole thing again. But the system would have to go through countless video files spread across your hard disk, or even multiple hard disks, to provide you with the final output depending on the complexity of the edit. You may use the project in your editing software itself to transcode the film. Why Not Transcode in The Editing Software? And the sound team would need the files to be under 100 MB. If you want to send a copy to the producer or a friend for feedback, you cannot of course upload such huge files. The Grading and VFX teams would need the humungous high quality files, which runs into the GB and TB ranges. HandBrake is one option to compress the film.įor example, when you are finished with a reel, you will have to send it out to various people. In the postproduction phase of making your film, you would regularly need to transcode your film. Transcoding is the process of transferring files in one format to another, say from MP4 to AVI.
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